Zootopia 2: A bright, breezy sequel lacking the original’s depth

My first viewing of Zootopia pleasantly surprised me, as I did not expect it to be anything more than a basic children's film with a bunch of talking animals. With its masterful inclusion of discussions around racism, stereotyping, and segregation, the original set a high bar.

Zootopia 2, however, mostly aims simply to be an enjoyable watch.

In the first Zootopia, Judy Hopps becomes the city's first rabbit police officer, eager to prove herself. Assigned to parking duty and quickly hustled by the sly fox Nick Wilde, her ambitions seem out of reach until she seises the chance to investigate a missing-predator case. Teaming up with Nick, Judy uncovers where a series of predators are mysteriously going 'savage'. After the conspiracy is exposed and the predators are cured, Nick joins the force, and together they become partners.

In Zootopia 2, Judy Hopps and Nick Wilde struggle to adjust to life as new partners when a raid leads Judy to suspect that a snake is hiding somewhere in the city. Their investigation collides with the Zootenial Gala, where a pit viper named Gary crashes the event, kidnaps founding-family patriarch Milton Lynxley, and steals a journal tied to Zootopia's origins. Wrongly accused of helping him, Judy and Nick go on the run and uncover a hidden reptile community erased from the city's history.

Directed by Jared Bush and Byron Howard, this instalment is the most recent addition to Disney's long run of films, many of which have failed to land in recent years. This movie, however, is a fun watch that brings back beloved characters in a whimsical adventure. That being said, it cannot quite break free of a generic plot structure, nor does it develop the characters or the world in any meaningful way.

The thematic depth shifts away from issues around racism, classism, and stereotyping that the original portrayed with nuance and care. While this film touches on forced displacement and the propagandising of hate towards a certain group, its storytelling feels more generic. The theme becomes overshadowed by the rollercoaster adventure, and when the conflict is resolved, it does not feel as though much has truly been overcome.

More importantly, the characters are not developed as thoroughly. Their personal struggles feel less grounded, and the problems they face as a team seem vague and underexplored.

However, the new side characters add a fresh spark. Gary, the smooth-talking pit viper; Nibbles, the hilariously intense conspiracy podcaster; and Pawbert, the endearingly awkward Lynx family member—all bring their own comedic charm and narrative energy. Even the new mayor, Brian Winddancer, a flamboyant actor-turned-politician, adds a layer of satire and personality.

As a result, the pacing in the first half can feel a little slow at times, with major plotlines lacking clear motivation. This occasionally makes the overall duration feel too long.

Credit must be given where it is due. The writers have crafted witty dialogue and entertaining scenarios throughout the film. It carries the same charismatic and vibrant tone that is reminiscent of classic animated films—something sequels often struggle to maintain.

The adventures are still a blast to watch, while the themes have been implemented more cohesively for a child audience. Given the poor history of sequels turning out bland and repetitive, this one makes a real effort to stand on its own and carve out its own sense of originality.

All in all, Zootopia 2 is one of the rare sequels that genuinely attempts to live up to the original.

For me, the first film remains superior in almost every way, but I can assure you that any child would enjoy the sequel tremendously. For them, I can wholeheartedly recommend it.