The story of Monihar: A cinematic legacy in a dwindling industry

Back in the day, the number of cinema halls in Bangladesh ranged in the thousands, bustling with viewers year-round. Today, that number has dropped sharply. During Eid, around 200 theatres may briefly reopen, but afterwards, it shrinks back to just around 50. 

Among the few that stay open year-round is a legendary hall in Jashore: Monihar Cinema Hall.

Despite the industry's downturn, Monihar has stood tall for over four decades, continuing regular screenings against all odds. This story takes us back to where it all began — December 6–9, 1983 — days that became historic for Jashore's movie lovers.

Even before the opening, excitement rippled through the city. The idea of a modern cinema hall was a dream for local film enthusiasts. As the inaugural day approached, anticipation grew. On 9 December 1983, Monihar Cinema Hall opened with great fanfare, quickly becoming one of the most iconic cinematic venues in Bangladesh.

Mollah Faruk Ahmed, now Monihar's manager, was part of the team that went around promoting the grand opening via loudspeakers. "People waved at us from the streets, smiling and cheering," he recalled. "Shops in town even shut down for the opening day. That's how historic it was."

So what made Monihar so special? 

On 26 June, a visit to the hall revealed the answer. Located next to New Market in Jashore, the area is even known as 'Monihar'. By noon, people were lining up for tickets to Raihan Rafi's 'Taandob'. Prices ranged from Tk150 to Tk300 depending on the section — rear stalls, dress circle, or the newly added cineplex.

Shawkat Hossain had biked all the way from Dumuria, Khulna, to catch the film. "I've been coming here every month for the last four years. Even though I couldn't make it during Eid, I came today," he said. "I feel satisfied watching films at Monihar, that's what keeps bringing me back here."

Masud Rana from Lohagara, Narail, brought his friend to Monihar to watch 'Taandob.' "I always watch new films here. Monihar maintains a nice environment, and new releases are always available," shared Masud.

For Ghalib Hasan Piltu, a local journalist who has been visiting the cinema hall for years, Monihar carries many fond memories for him of watching movies and spending time with his friends afterwards. 

"When it comes to deciding on a cinema hall to bring my friends or family, I always choose Monihar. Its atmosphere is excellent, and the screen is also quite satisfactory. I think that's why Monihar has survived so long."

History on its walls

Inside, Monihar is no ordinary theatre. A winding path leads to the second and third floors, adorned with art, including the breathtaking mural of Bangladesh's six seasons, created by under the supervision of prominent artist SM Sultan.

According to the hall authorities, whenever a major star visited the cinema, they would be driven straight up to the third floor in a vehicle using that very path.

The walls are lined with photos of Bangladesh's silver screen stars — from Razzak, Sohel Rana, Alamgir, Shabana, and Bulbul Ahmed to Shakib Khan, Purnima, and Mahiya Mahi. Each had visited the cinema hall, and now those memories have found their place on Monihar's walls.

On the third floor hangs an unusual clock — its hands run counterclockwise, yet keep perfect time. Built on three bighas of land, Monihar can accommodate 1,430 viewers in a single screening and is recognised as the largest cinema hall in Bangladesh.

Memories of golden days

Memories are deeply etched in the hearts of those who've worked at Monihar. Faruk Ahmed recalls the frenzy during the run of 'Beder Meye Josna', one of the most celebrated films in Bangladesh. "Tickets were almost impossible to get. Some even slept overnight on a nearby school veranda to catch the next day's show."

Even in recent times, Monihar has drawn crowds for hit films like 'Hawa', 'Poran', 'Toofan' 'Priyotoma', 'Taandob', and 'Utshob'. However, piracy remains a threat. According to the current owner, Ziaul Islam Mithu, ticket sales for 'Taandob' dropped significantly by the third week due to leaked copies.

"We share ticket revenue 50-50 with production companies," he explained. "Good stories still bring in crowds, but not all films are up to the mark, which often leaves us disappointed along with moviegoers."

To adapt to the changing times, Monihar plans to modernise. Two more Cineplex screens are scheduled to open over the next two years. A residential hotel and a small community centre within the complex help offset losses when ticket sales dip.

What is clear from conversations with the staff and loyal audience is this: Monihar survives because of dedication. The team's commitment and the viewers' support have kept this iconic cinema alive — a beacon of cultural pride in a struggling industry.

And perhaps, if more regional theatres find their own balance of heart and hustle, Bangladesh's silver screens could once again shine as brightly as they once did.