Rehnuma Shahreen | The Business Standard
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The Business Standard

Friday
May 08, 2026

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FRIDAY, MAY 08, 2026

Rehnuma Shahreen

Photo: Open Space Theatre
Splash

When Art divides friends

Gathered from several districts, the artworks highlight the regional diversity of the country’s folk art. Photo: Courtesy
Splash

Dharon: A celebration of homegrown artforms

A framemaker is, in many ways, the unsung hero of the art world. A good frame acts as a silent mediator; it creates the boundary between the artwork and the environment it lives in. Photo: Mehedi Hasan
Panorama

Between the canvas and the crest: The shifting economics of Dhaka’s framing houses

Azad Cinema was once the beating heart of Dhaka’s intellectual and social elite. Photo: Collected
Panorama

Empty seats, idle projectors: Dhaka’s single-screen cinemas are on their last legs

12,000 songs, one immortal soul: A final farewell to Asha Bhosle
Splash

12,000 songs, one immortal soul: A final farewell to Asha Bhosle

Photo: Collected
Splash

When two rivers meet: Inside Nasir Ali Mamun’s Photoseum of memory

The store serves as a meaningful deviation from the frantic, digital world of instant streaming — a respite that feels like a breath of fresh air. Photos: TBS
Panorama

For the record: Finding sanity in Vinyl Madness

Representational Image. Photo: Collected
Supplement

What Gen Z actually demands from freedom

Photo: Collected
Supplement

Barricades built of voices: How music armed a nation in 1971

Visitors can explore hundred miniature canvases at Bhumi Gallery, featuring works of artists from three different generations. Photo: Courtesy
Splash

One Square Stories brings 20 artists onto a shared frame

Photo: Collected
Splash

'It's never over, Jeff Buckley': A legacy beyond tribute

 A seamless resin floor extends wall-to-wall without grout lines, enhancing spatial continuity while offering waterproof, mould-resistant performance suited to Bangladesh’s humid climate. Photo: Collected
Habitat

How to incorporate resin in your home decor

The shift taking place in Hazaribagh is not about hiding the area’s industrial scars behind white gallery walls. Instead, it is a slow, unforced dialogue between the people who stayed and the artists who arrived. Photo: Brihatta Art Foundation
Panorama

Why has Hazaribagh evolved as the new home to Dhaka’s art scene?

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