Hamiduzzaman Khan’s legacy sculpted in steel
In honour of Hamiduzzaman Khan’s contributions to the art scene, the exhibition features the artist’s experimental sculptures and paintings, serving as a tribute to the veteran’s legacy

Life often takes unexpected turns, and sometimes, accidents lead to extraordinary paths. For Hamiduzzaman Khan, an unforeseen event played a crucial role in shaping his journey toward becoming one of Bangladesh's most esteemed sculptors.
A trip to Scotland for medical treatment for a previous accident exposed him to Henry Moore's public sculptures at the National Museum of Scotland, sparking his fascination with the art form.
In London, he explored the British Museum, National Gallery, and Tate Galleries, where he developed a deep admiration for John Constable's landscapes. His artistic exploration extended to Italy, where Michelangelo's masterpieces left a profound impression, and to Paris, where the works of Matisse, Picasso, and Rodin, along with the public sculptures of Montmartre and Montparnasse, further influenced his artistic vision.
Returning to Dhaka in 1969, Hamiduzzaman studied sculpture under the esteemed sculptor Abdur Razzaque, marking the beginning of his thriving career.
Over the years, he created timeless sculptures that have become landmarks. Some of his most renowned works include 'Shangshaptak' at Jahangirnagar University, 'Flying Bird' at the World Bank Dhaka office, 'Jagroto Bangla' in Brahmanbaria, 'Freedom' at Krishibid Institute, 'Peace Bird' at TSC, and '7th March' in Madaripur, among others.
His remarkable contributions to sculpture are now being honoured at Bengal Shilpalay through a dedicated exhibition, 'The Hamiduzzaman Khan Exhibition', which runs until 15 March. The exhibition features quite a few of the artist's experimental works, as well as a few of his paintings, serving as a tribute to the veteran artist's legacy.
Walking around the gallery space, it doesn't take long to realise that Hamiduzzaman Khan's sculptures are a delicate fusion of abstract geometric shapes and spatial composition.
His works, crafted from metal, exude solidity and structure while maintaining a dynamic presence. Through light and shadow, he skillfully conveys mood and expression, much like his watercolour techniques.
This exhibition immerses viewers in his artistic world, where sharp angles and fluid curves interact, creating a striking contrast between structure and movement that defines his signature style.
The sculptures, particularly the black and blue metal pieces, take on a modernist aesthetic, bringing forms down to their geometric essence. Despite their industrial material—sheet metal often associated with urban landscapes and mechanisation—Hamiduzzaman's sculptures feel dynamic, almost as if they're frozen in motion.
Some hint at abstracted human figures, animals, or mythological beings, yet they remain open to interpretation, inviting viewers to make their own interpretations and engage in the piece.
The exhibition's layout enhances this experience. Freestanding pieces encourage exploration from different angles, while wall-mounted sculptures interact with the light, creating an added dimension. The grouping of blue sculptures on a bench-like display feels intentional, as if the pieces are in conversation with one another.
Hamiduzzaman's work is deeply rooted in Bangladesh's artistic heritage. While his sculptures embrace abstraction, they carry echoes of traditional South Asian forms—fluid, rhythmic, and evocative of Bengali artistic motifs.
What also makes this exhibition particularly engaging is its ability to merge modernism with cultural. It's not just about shapes and materials; it's about movement, history, and an artistic voice that feels both contemporary and timeless.
The gallery space must be credited for arranging an exhibition that provides a seamless visit for art lovers. Its modern, minimalist design, coupled with open space and strategic lighting, enhances the artworks on display.
Sculptures are thoughtfully positioned—larger pieces serving as focal points, while smaller ones are placed on platforms or against walls. Freestanding sculptures allow for 360-degree viewing. The balanced arrangement creates an immersive and engaging atmosphere that elevates the experience.